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The Book Review


The Book Review

A Summer Book Recommendation Bonanza

Fri, 05 Jun 2026

June is here and the long summer days are stretching out ahead, which means it’s time to settle in front of the air-conditioner with a pile of books. (Just us?) But which ones should you read this summer? The “Book Review” podcast’s Gilbert Cruz talks with the Book Review editors Joumana Khatib and MJ Franklin about the titles they’re most excited about.


Books discussed in this episode:


“Red Sheet,” by James Ellroy


“Villa Coco,” by Andrew Sean Greer


“They All Fall in Love at the End,” by Haili Blassingame


“Whistler,” by Ann Patchett


“As If,” by Isabel Waidner


“The Housewives Underground,” by Kaitlyn Tiffany


“Nebraska,” by Monica Datta


“Cool Machine,” by Colson Whitehead


“The Mortons,” by Justine Larbalestier and Scott Westerfeld


“Country People,” by Daniel Mason


“Fixer Chao,” by Han Ong


“Biological War,” by Annie Jacobsen


“We Were Forbidden,” by Jacqueline Harpman


“The Amateur,” by Chris Bohjalian


“A Tender Age,” by Chang-rae Lee


“The Jackal,” by Joby Warrick


“A Moment in the Sun,” by Shane White


“A Sudden Flicker of Light,” by David Thomson


“Rabbit, Fox, Tar” by P.C. Verrone


“The Au Pair,” by Teddy Wayne


“Land,” by Maggie O’Farrell


“Sublimation,” by Isabel J. Kim


“Cloudthief,” by Nathaniel Rich


“Dead But Dreaming of Electric Sheep,” by Paul Tremblay


“You Won’t Get Free of It,” by Rachel Aviv


“Awake Awake,” by Fiona Mozley


“Triage,” by Claudia Rankine


“Catch the Devil,” by Pamela Colloff


“Helpless,” by Jessica Knoll


“Life of M,” by Rachel Cusk


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Book Club: Let's Talk About 'Transcription,' by Ben Lerner

Sat, 30 May 2026

Ben Lerner’s slender new novel, “Transcription,” is just 130 pages long, yet it cracks open some of our most colossal and enduring philosophical questions.

The novel is told in three parts. We open with an unnamed narrator going to interview his mentor, Thomas — an acclaimed artist in his 90s who also happens to be the father of one of the narrator’s friends, Max — for a magazine. Before the interview, however, the narrator’s phone breaks and he has no way to record their conversation. Rather than reschedule, he proceeds with the interview and only pretends to record Thomas as they talk.

The second section flashes to the future. Thomas has died, and the article that our narrator wrote has become enshrined as the final interview with the iconic artist. At a symposium in Madrid, the narrator confesses that his interview was reconstructed rather than transcribed — a revelation that dismays the other guests and infuriates Max. Then we flash again. In the final section, the narrator talks to Max, who discusses his own complicated relationship with Thomas and technology, including how the internet and other digital tools impacted his family during several crises.

Through these scenes, “Transcription” asks a series of questions: How does technology mediate our lives? How does it bring us together or pull us apart? Is there a difference between what’s real and what’s true? It also becomes a potent and poignant study of fatherhood and what it means.

On this episode, MJ Franklin discusses “Transcription” with fellow Book Review editors Gregory Cowles and Alexandra Jacobs.



Other books mentioned in this episode:



  • “Leaving the Atocha Station,” “10:04” and “The Topeka School,” by Ben Lerner

  • “The Dance of Anger,” by Harriet Lerner

  • “Reporting,” by Lillian Ross

  • “Magic and Loss: The Internet as Art,” by Virginia Heffernan

  • “In Love: A Memoir of Love and Loss,” by Amy Bloom

  • “No One Is Talking About This,” by Patricia Lockwood

  • “The Shallows” by Nicholas Carr

  • “Universality,” by Natasha Brown

  • “White Noise” and “The Body Artist,” by Don DeLillo

  • “A Hunger Artist,” by Franz Kafka

  • “A Visit From the Goon Squad,” by Jennifer Egan

  • “Asymmetry,” by Lisa Halliday

  • “Trust,” by Hernan Diaz

  • “The Mezzanine” and “Vox,” by Nicholson Baker

  • “Outline,” by Rachel Cusk

  • The books of Virginia Woolf


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The Ezra Klein Show: Michael Pollan’s Journey to the Borderlands of Consciousness

Fri, 22 May 2026

Today we are delighted to share an episode from our colleagues on “The Ezra Klein Show,” originally published on March 31. Ezra interviewed author Michael Pollan, whose best-selling books include “The Omnivore’s Dilemma,” “In Defense of Food,” and “How to Change Your Mind.” Pollan’s latest book, “A World Appears: A Journey Into Consciousness,” came out earlier this year. It’s an exploration of what consciousness is, and the book is — as our review put it — “highly pleasurable to read.”


Mentioned in the episode:


The Descriptive Experience Sampling method” by Russell T. Hurlburt and Sarah A. Akhter


What Is It Like to Be a Bat?” by Thomas Nagel


The Hidden Spring by Mark Solms


Descartes’ Error by Antonio Damasio


The Oxford Handbook of Spontaneous Thought” by Kalina Christoff and Kieran C. R. Fox


Book Recommendations:


The Blind Spot by Adam Frank, Marcelo Gleiser and Evan Thompson


Ducks, Newburyport by Lucy Ellmann


Being You by Anil Seth


You can find transcripts and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs.


This episode of “The Ezra Klein Show” was produced by Kristin Lin. Fact-checking by Kim Freda. Our senior engineer is Jeff Geld, with additional mixing by Aman Sahota and Isaac Jones. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Annie Galvin, Michelle Harris, Rollin Hu, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Kristina Samulewski and Shannon Busta. The director of New York Times Opinion Audio is Annie-Rose Strasser.


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We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to thebookreview@nytimes.com.


Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.


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Matt Haig on ‘The Midnight Library,’ Mental Illness and Winnie-the-Pooh

Fri, 15 May 2026

Matt Haig was already several books into his career as a writer by the time he published “The Midnight Library” in 2020. One of those books, the 2015 memoir “Reasons to Stay Alive,” had even been a best seller in England, his home nation. Yet, “The Midnight Library” was a true breakout phenomenon. The novel, about a depressed woman who, after deciding to end her own life, ends up in a magical library in which every book presents her with an alternative life, eventually sold more than 10 million copies worldwide.


The author’s new book, “The Midnight Train,” takes place on a parallel track. In it, an older man dies and finds himself on a train, able to revisit key moments in his life on his way to the hereafter. Like its blockbuster sibling, the book is concerned with questions of gratitude, regret and perspective.


Haig joined the “Book Review” podcast and spoke to the host, Gilbert Cruz, about his new book and why he returned to the world of “The Midnight Library.”


If you are having thoughts of suicide, call or text 988 to reach the 988 Suicide and Crisis Lifeline or go to SpeakingOfSuicide.com/resources for a list of additional resources.


Books Discussed on This Episode



Listen to and Follow the ‘Book Review’ Podcast


Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio


Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.


We Want to Hear From You


We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to thebookreview@nytimes.com.


Credits


The “Book Review” podcast is hosted by Gilbert Cruz and produced by Sarah Diamond, Amy Pearl, and Patricia Sulbarán. The show is edited by Larissa Anderson and mixed by Pedro Rosado.


Special thanks to MJ Franklin, Dahlia Haddad, and Brooke Minters.


Illustration by The New York Times; Photo: Andrew Testa for The New York Times


Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.


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Patricia Cornwell on Her Dark Childhood and Best-Selling Novels

Fri, 08 May 2026

“Angel Down,” a grisly novel about World War I told in a single, almost 300-page-long sentence, was awarded this year’s Pulitzer Prize for fiction. In a review for The New York Times, Ben H. Winters described it as a “thunderous gallop” that captures the “cruel and self-perpetuating logic of war.” (It was also one of the Book Review’s Top 10 books of 2025.)


The day after the Pulitzers were awarded, the book’s author, Daniel Kraus — who has written horror, fantasy and young adult novels — spoke to the Book Review’s editor, Gilbert Cruz, about putting together his semi-experimental story.


Cruz also spoke with Patricia Cornwell, a best-selling author who rose to prominence in the 1990s with novels about the character Kay Scarpetta, a chief medical examiner. A Scarpetta series starring Nicole Kidman debuted this year on Amazon.


Cornwell has released a new memoir, “True Crime,” in which she tells the surprising story of her childhood and the events that led her to become a novelist.


Listen to and Follow ‘The Book Review’


Apple Podcasts | Spotify | Amazon Music | YouTube | iHeartRadio


Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.


We Want to Hear From You


We would love to hear your thoughts about this episode, and about the Book Review’s podcast in general. You can send them to thebookreview@nytimes.com.


Credits


The “Book Review” podcast is hosted by Gilbert Cruz and produced by Amy Pearl, Sarah Diamond and Patricia Sulbarán. The show is edited by Larissa Anderson and mixed by Pedro Rosado.


Special thanks to Dahlia Haddad and Brooke Minters.


Illustration by The New York Times; Inset cover: via Grand Central


Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.


Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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